Tab 2

Wired Displays

Build the overlay for each screen connected to your Mac. Switch widgets on in the sidebar, set them up on the right, and arrange them directly on the display.

The Wired Displays tab: widget sidebar, live display canvas with quick actions and display list, and the settings column
Left: widgets. Middle: a live preview of the selected display, quick actions and the display list. Right: settings for the selected item.

Finding your way around

Every widget lives in a named group in the left sidebar: METERS, LOUDNESS / DYNAMICS, AUDIO SPECTRUM, WAVEFORMS, PHASE, MUSICAL, VISUALISER, MULTICHANNEL AUDIO, AU PLUGINS, UTILITIES, CONTROLS, CAMERAS, plus OPTIONS and DAW STATUS / FOLLOW at the top. WiFi Remotes uses the same groups, so what you learn on one applies to the other.

Click a group heading to open or close it, and use Collapse All / Expand All at the top of the list to fold the whole sidebar at once.

The Wired Displays sidebar with every widget group collapsed, and Expand All at the top
Every group folded. The link at the top reads Expand All when everything is closed.

How the groups fold is your choice, in Settings ▸ Appearance / Graphics ▸ EDITOR SIDEBAR:

With a lot of widgets switched on, Auto Collapse keeps the sidebar short; Persistent suits working across two groups at once, such as METERS and CONTROLS.

Display list and canvas

Below the canvas is a list of your displays, each showing its toggle key and an overlay on/off dot. Click a row to edit that display; its name appears above the canvas. Click a widget on the canvas to open its settings, or drag it to move it. Use Filter and the order menu (Manual, Display Order, Name) when you have lots of screens.

Drag the divider between the canvas and the settings column to give either side more room. Double-click it to reset.

Quick actions

ButtonWhat it does
Arrange WidgetsLets you drag and resize widgets on a Transparent display. Blacked-out displays don't need it; see Arranging widgets.
TransparentSwitches between a black background and widgets floating over your normal desktop.
Clear AllTurns every widget on this display off. Press again to bring the same set back.
Mouse PeekThe overlay fades away while you move the mouse, so you can use the screen underneath.
Hide CursorHides the pointer over this display while it’s blacked out. Set per display.
Panel on TopKeeps the DarkStage window above other windows.

Full overlay presets

The preset menu at the top right recalls a whole layout for the selected display. Save updates the current preset, Save As… makes a new one, and Manage opens the Preset Manager.

Widget presets and instances

Most widget pages start with a Widget Presets bar that stores just that widget's look. Factory looks sit on the left; your five slots on the right. Tap a slot to recall it, hold to save, and right-click for rename, copy and clear.

More than one of a widget

Some widgets can appear more than once on the same display. Each copy is an instance with its own settings, size, position and input.

WidgetInstances per display
PPM / VU Meters, Needle VUUp to 2
LUFS Meter, Loudness Range, Average Dynamics, Dynamics (PSR)Up to 2
Button PanelUp to 2
BPM DetectorUp to 2
Key DetectorUp to 3
Camera FeedsUp to 8 (see Cameras)

Switching a group on and off

When a widget has more than one instance, its sidebar switch controls the whole group. Switching it off hides every instance and remembers which ones were showing; switching it on brings back that same set (or all of them, if none was on). Shortcuts, Button Panel keys and Remote rows that switch the widget work the same way. Clear All turns off every instance too.

Two meter instances make an easy A/B: set one to Input A (your mix) and the other to Input B (a reference track).

Knobs: double-click to reset to default, hold ⌥ Option while dragging for fine adjustment. The green dot beside each sidebar entry shows the widget is on. Use the arrow keys to move through the sidebar.

Arranging widgets

A blacked-out display with needle VU meters, a LUFS meter, 3D and 2D spectrograms, a PPM meter, spectrum analyser and stereo scope, all moving with music
A live overlay: Needle VU, LUFS Meter, Spectrogram 3D and 2D, PPM, Spectrum RTA and Scope, metering Mac System Sound.
  1. Black out the display with its shortcut (F16 for display 1).
  2. Click a widget to select it. A red outline with handles appears.
  3. Drag inside the outline to move it. Drag a handle to resize; the opposite edge stays put.
  4. Click empty space to deselect. Press the shortcut again to hide the overlay.
A LUFS meter selected on the overlay with a red outline and eight resize handles
Do thisTo
Hold ControlArrange without triggering anything: shows a hidden pointer, holds Mouse Peek off, and lets you drag a Button Panel, Notepad or Cutout instead of pressing, typing or clicking through it. Let go and everything returns.
Hold ShiftStop Mouse Peek hiding the overlay while you move the mouse, for example to click a plug-in meter's buttons.
EscCancel a drag in progress. Press again to deselect, or on a Transparent display, to finish arranging.
Click where widgets overlapSelects the smallest one, so a small widget on top of a large one is always reachable.

Past the edge. A widget can hang over the edge of the display: whatever falls outside is cropped, and the widget isn't pushed back on screen. Its centre always stays on the display. Let go within a few points of an edge and it snaps flush to it.

Blackout vs Transparent. A blacked-out display can always be arranged directly. A Transparent display lets clicks through to your apps (except on the widgets you can click), so turn on Arrange Widgets first, and turn it off when you're done. While it's on, Hide Cursor and Peek pause.

The selection outline fades after a few seconds so you can judge the layout, but the widget stays selected. Just drag again.

You can also arrange on the canvas in the DarkStage window without blacking out, which is handy when the display is across the room.

Widgets you can click

WidgetOn a blacked-out display
Button PanelClick a button to fire it. Control-drag to move the panel.
NotepadClick and type. Control-drag to move it.
CutoutClicks go through to the window behind. Control-drag to move it.
Hover PanelClick its keys. See Hover Panel.
Now PlayingClick ⏮ ⏯ ⏭ (with Transport Controls on) to control the player.
MIDI PianoClick and hold keys to play notes.
BPM DetectorClick the faint ↺ in its corner to reset it.
Plugin MetersHold Shift if Mouse Peek is on, so the overlay stays while you click the plug-in.

On a Transparent display, clicks pass through to your apps everywhere except on these widgets' own keys and controls: Button Panel keys, Notepad, the Hover Panel, Now Playing's transport buttons, MIDI Piano keys and the BPM reset. So you can press a key on a Transparent display and still click through the gaps around it. A plug-in meter's own controls can be clicked only on a blacked-out display.

Options

Overlay Options

Overlay Options: Background, Shortcut Assignments, Peek on Mouse Move and Menu Peek Strip

Use case

  • A blacked-out screen you still need for plug-in windows: turn on Peek with Transparent Peek. Meters stay put while the plug-in window shows through, and Shift holds the overlay back when you want to click.

Mouse Options

Mouse Options: Hide Cursor and Where’s My Mouse

Two features that make blacked-out screens comfortable to work around. Hide Cursor is set per display, on the display selected above. Where’s My Mouse applies app-wide, to every display. Both are preset-unaware: neither is saved in a preset, and recalling a preset never turns them on or off.

Hide Cursor

Hide Cursor hides the pointer over this blacked-out display. The setting applies to the selected display, so you can hide the pointer on a meter bridge and keep it on the screen beside it.

Each display has its own setting — here, or with the Hide Cursor button in that display’s quick actions. The pointer follows the setting of the display it is on, whichever app is active.

The pointer disappears the moment it crosses onto that display, and comes back as soon as it leaves. There's no delay and no stray arrow sitting over your meters. It never hides on Transparent displays or while you're arranging.

Where's My Mouse?

After the pointer has sat still for the Idle Time, your next mouse movement flashes a ring around it, so you find it straight away across several dark screens. Clicking or scrolling never triggers it.

ControlDefaultRange
Where's My Mouse?OffOn / Off
Idle Time30 sec5 sec – 10 min
Ring Duration1.1 sec0.5 – 5 sec
Ring ColourDarkStage orangeany colour

Click Trigger Ring to preview, even while it's off. The same controls also appear in Settings ▸ General.

Pick a ring colour that contrasts with your overlay. On an orange-heavy layout, white or cyan stands out best.

Preset Looper

Preset Looper with bank selector and four preset slots

Five banks, each holding up to four full overlay presets. Press the Cycle Preset shortcut to step this display through them. Missing presets are skipped.

Use case

  • Bank 1: Tracking → Overdubs → Mix. One key moves the room TV from a big counter to full metering.

Transport Colours

The colours used for Play, Record, Idle / Stopped and Armed by every transport-aware widget, with Smoothing for the change between them.

When your DAW is armed and rolling, the display alternates between Play and Record colours, exactly as the DAW reports it. That's intentional: it's a warning.

DAW Status / Follow

These widgets follow your DAW. Set it up first in Setup ▸ Connect your DAW.

A bright green frame drawn around the edge of an otherwise black display
BorderA frame around the display in the transport colour. It can chase or breathe.
A large green play triangle lit beside a dimmed grey record circle, on a black screen with a soft green glow
Transport StatusA play/stop/record symbol, optionally washing the whole screen.
Green digits reading 11 bar, 2 beat, 714 ticks across a black screen
CounterThe DAW's main counter in Nixie tube or 7-segment LED style.
Red seven-segment digits reading 00:24:33:04, with the unlit segments faintly visible
SMPTE / MTCTimecode from MIDI Time Code on DarkStage MTC Receive.
A large grey numeral 4 alone on black, the current beat of the bar
MetronomeA beat flash, as a shape or a number.
The words RECORDING IN PROGRESS in bold red capitals across a black screen
Status TextYour own words for Stopped, Armed, Play and Recording.

Counter Format on the Counter page appears only for Ableton Live and REAPER, which don't tell DarkStage which counter they're showing.

Counter showing dashes? That means no DAW is connected yet. Check DAW Sync status in the menu bar.

Use cases

  • Live room: Border plus Status Text reading QUIET — RECORDING in red, and TALK FREELY when stopped.
  • Orchestral overdubs: a large bars:beats Counter and Metronome, so players can follow without a click.
  • Post-production: SMPTE / MTC next to the picture monitor.

Meters

A pair of vertical segmented bar meters, green up the scale into yellow near the top and one orange segment above, with a dB scale beside them and L and R labels
PPM / VU MetersBar, LED, Plasma or Nixie Tube. Sample peak, RMS, VU-style, PPM-I/II style or K-14.
Two analogue VU meters side by side, labelled L and R, each with a pale blue needle resting in the lower part of the scale below a red section
Needle VUAnalogue-style needle meters with a choice of faceplates.

A VU reference is an RMS level. A sine wave lined up by its peak reads about 3 dB lower. DarkStage's meters are aligned to the broadcast standards but not certified, and peak readings are sample peak, not true peak.

Loudness / Dynamics

Three vertical bars reading −11.2, −10.4 and −10.9, each shading from purple at the bottom through blue and green to yellow at the top, with a target line across them
LUFS MeterMomentary, Short-term and Integrated loudness against a target.
WidgetWhat it shows
LUFS MeterLoudness against a Target. The Combined appearance (the default for a new meter) shows Momentary, Short-Term and Integrated together; Classic, Bar, Segments and Arc are also available.
Loudness Range (LRA)How much the programme's loudness varies, measured with EBU Tech 3342 gating.
Average Dynamics (PLR)The programme's highest true peak minus its Integrated loudness.
Dynamics (PSR)The true peak of the last 3 seconds minus the Short-Term loudness.

These meters follow ITU-R BS.1770 and EBU R128 / Tech 3342 methods and are standards-aligned, not certified. The true peak used by Average Dynamics and Dynamics (PSR) belongs to these meters only; the level meters above always read sample peak.

For a full song or programme, use Manual reset and play from the top. On Transport Play restarts the reading every time you stop and start.

Reading the LUFS Meter

A blacked-out display showing the LUFS Meter reading M -13.3, ST -13.5 and I -16.6, with Loudness Range, Average Dynamics and Dynamics meters below
The family running on music: LUFS (Combined) above, with Loudness Range, Average Dynamics (PLR) and Dynamics (PSR) across the bottom.

Loudness is measured three ways at once, and the Combined appearance shows all three together:

ReadingWindowUse it for
Momentary (M)The last 400 msCatching a loud moment as it happens — it moves like a meter.
Short-Term (ST)The last 3 secondsJudging a section: a chorus, a verse, a cue.
Integrated (I)Everything since the last resetThe number you deliver against. Gated, so silence doesn’t drag it down.

Lower is quieter: −14 LUFS is louder than −23 LUFS. The meter colours itself against the Target you set, so the job is usually “keep Integrated in the band” rather than reading an exact number.

The five LUFS appearances

One meter, five ways of drawing it. Pick whichever reads best from where you sit — the measurement is identical in all of them.

LUFS Combined appearance: three stacked bars for Momentary, Short-Term and Integrated with their numbers
CombinedAll three readings at once. The default, and the one to use while mixing.
LUFS Bar appearance: one large horizontal bar with the Short-Term value and a scale
BarOne reading, very large. Good across a room.
LUFS Segments appearance: the bar drawn as discrete lit segments
SegmentsThe same bar in steps, like a hardware meter.
LUFS Arc appearance: a circular gauge with the value in the centre
ArcA round gauge. Compact in a corner.
LUFS Classic appearance
ClassicThe original look, kept for people used to it.

Each was photographed a few seconds apart on the same track, so the numbers differ slightly between them — they are not one moment shown five ways.

Setting a target and scale

  1. Switch on LUFS Meter under LOUDNESS / DYNAMICS and click it to open its settings.
  2. Choose a Target: EBU −23, ATSC −24, Spotify −14, Legacy −16 or Custom (a slider from −36 to −6 LUFS).
  3. Choose a Scale — Full (−60 … 0) for everything, or the EBU relative scales EBU +9 and EBU +18, which put your target at zero so you read how far off you are rather than an absolute number.
  4. Pick an Appearance: Combined (the default), Classic, Bar, Segments or Arc.
  5. Set the INPUT switch (A–D) if this meter should watch something other than Input A.

The rest of the page is presentation: Show Momentary / Short-Term / Integrated hide any reading you don’t want, Show Target Line and Target Zone Band draw the target on the scale, and Max Hold, Scale Marks, Labels and Warning Colour tune how it looks from across the room.

The three dynamics meters

These sit beside the LUFS Meter and answer different questions:

Resetting

Integrated, Loudness Range and Average Dynamics all measure “since the reset”, and they restart together.

All four widgets work on WiFi Remotes as well, with the same settings, and the LUFS Meter can have two instances per display — handy for your mix on Input A and a reference on Input B.

Use case

  • Delivering to streaming: a LUFS Meter with a −14 target next to a PPM set to sample peak, with Loudness Range beside them. Add a second LUFS instance on Input B for the reference track.

Audio Spectrum

A filled spectrum curve from 20 Hz to 20 kHz, green across the mid band and shading to red towards the bottom of the scale, with a lighter peak-hold line above it
Spectrum RTAReal-time analyser with ⅓-octave-spaced bars.
A scrolling heat map of frequency against time, orange and yellow at the low frequencies, red through the middle and blue at the top
Spectrogram 2DFrequency over time as a scrolling heat map.
The same frequency history drawn as a landscape of stacked white contour lines receding into the distance
Spectrogram 3DThe same history as a 3D landscape.
A scatter of coloured dots, white and yellow low down and red then blue higher up, spread left and right by stereo position
Spatial SpectrogramFrequency up the side, stereo position across: see where each sound sits.

The spectrum shows the mid signal, (L+R)/2. Use the Spectrogram to spot a resonance that keeps coming back; it's easier to see over time than on a moving RTA.

Waveforms

Three cycles of a smooth green sine wave across a black screen
OscilloscopeThe live waveform.
A scrolling waveform history in green with yellow peaks, ending in a dense louder passage at the right
Rolling WaveformA scrolling history of level, handy for spotting a drop-out.

Phase

A goniometer: overlapping green Lissajous loops inside a circular graticule with diagonal L and R axes
ScopeGoniometer / XY view of the stereo image.
A horizontal correlation bar filled green from the centre well into the positive half, over a scale from −1 to +1, reading 0.902
Correlation Meter+1 is mono-compatible; below 0 means phase trouble.
A half-circle plot with −45° and +45° marked, filled with dots that run green near the centre and blue further out
Polar SampleOne dot per sample on a half-circle, placed by stereo position and amplitude.
A half-circle plot filled with a spiky orange and gold fan rising from the centre point
Polar LevelLevel by stereo direction on a half-circle.

Use case

  • Checking a stereo-widened mix for mono compatibility: watch the Correlation Meter through the choruses. If it dips below zero, check in mono.

Musical

BPM Detector reading 122.3 BPM locked, beside a Key Detector reading G major with the Camelot code 9B
Both locked on to a track: the tempo, and the key with its Camelot code. The percentages are the detector’s confidence.
A tuner reading A4, with a green centre marker on a strip of tuning segments and the words IN TUNE beneath
TunerLED or needle tuner. Put it on the live room screen for players.

BPM Detector and Key Detector are new in this beta. They listen to the audio and estimate its tempo and key. They are detection tools: treat the result as a good guess, not a measurement, and check it by ear.

Both work on WiFi Remotes too, with the same settings and the same readings — the Mac does the listening and sends the result, so a Remote never uses its own microphone.

The six Key Detector views

One widget, six ways of showing what it hears. Change it with Show on the Key Detector’s page.

Key view: a large C minor with the Camelot code 5A and a locked indicator at 100 per cent
KeyThe detected key, large, with its Camelot code and the lock confidence. The one to read across a room.
Chord view: a large F5 with the roman numeral four in red
ChordOnly the chord playing now, with its roman numeral in the key. Good while writing.
Key and Chord shown together
Key + ChordBoth at once — the key you are in and the chord under your hands.
History view: a timeline of recent chords with roman numerals and a NOW marker
HistoryA running timeline of chords with a NOW marker. This is the view you export from.
Compass view: a circle of fifths with the current chord highlighted
CompassThe chord on a circle of fifths, so neighbouring keys are obvious. Useful for choosing where to go next.
Spectrum view: twelve pitch-class bars from C to B with the sounding notes lit
SpectrumThe twelve pitch classes: chord tones bright, colour tones dim. Shows why it decided what it did.

Captured a few seconds apart on the same track, so the chord differs between views.

Saving what it heard

The Key Detector keeps a history of what it detected, and the Export section of its settings page turns that into a file. Set Range first — Selection (when you've dragged over part of the History view), Current Session or Entire History — then:

For MIDI there are three extra choices: MIDI Timeline (Automatic, DAW Timeline or Observed Time), MIDI Timing (Detected, or Beat Aligned to tidy chords onto the beat) and MIDI File Start.

Export the chords of a take as a MIDI file and drop it into your DAW as a guide track, or save a PDF chord sheet for the session folder.

Visualiser

Visualiser draws a music-reactive backdrop behind every widget. It runs only while the display is blacked out. Styles: Oil Slick, Golden Bloom, Night Sky, Event Horizon, Sacred Mirror, Chaos Garden, Lumen Veil, Aurora Field, Reaction Bloom, Magnetic Orchid, Tidal Lotus, Firefly Grove, Julia Drift, Murmuration, Voronoi Dream, Moiré Cathedral, Impossible Tunnel and Afterimage Garden.

A Visualiser on the client lounge TV with nothing else on it makes a great ambient screen that still reacts to the session.

Multichannel Audio

Two Meter Bridge widgets show many channels at once, up to 64, from the device chosen in Settings ▸ Multichannel Audio. Meter Bridge PPM shows bars; Meter Bridge VU shows one needle per channel.

Thirty-two numbered channels of segmented LED meters side by side, mostly green with yellow near the top, and a row of dB figures along the bottom
Meter Bridge PPMUp to 64 channels as Bar, LED, Plasma or Nixie Tube meters.

1. Choose the feed

In Settings ▸ Multichannel Audio, pick the device, then Choose Channels…. The channels you tick become Meter Bridge channels 1…N, in order.

2. Name and order the channels

Channel Names editor with emoji palette and a numbered list of channels

Channel Names is one list shared by every bridge on every display, so you name a channel once.

Channel numbers are absolute: channel 17 is always channel 17, whichever range a bridge is showing.

3. Show the channels you want

Each bridge shows a window of channels: from its Starting Channel, for as many as its count. The window never wraps back to channel 1. Within it, your Channel Names order is applied and hidden channels are left out.

Meter Bridge PPM settings: meter type, starting channel and channels displayed
Meter Bridge PPMStarting Channel, Channels Displayed (default 32), Meter Type, size. Only this bridge has Stereo Pairing.
Meter Bridge VU settings: starting channel, channel count, meters per row and rows
Meter Bridge VUStarting Channel, Channel Count (default 8), Meters Per Row and Rows, faceplate and ballistics.

Use cases

  • Drums on needles, the band on bars: Meter Bridge VU with Starting Channel 1 and Channel Count 8 for the kit, and Meter Bridge PPM with Starting Channel 9 and 16 displayed for everything else.
  • One screen per section: on display 2, strings on channels 1–12; on display 3, brass on 13–24. Both use the same names.
  • Hide the talkback: click its eye in Channel Names and it disappears from every bridge, without renumbering anything.

The bridge only runs while a Meter Bridge widget is showing, so leaving the device selected costs nothing.

AU Plugins

Plugin Meters (beta) shows a third-party Audio Unit meter's own interface on this display. See Plug-ins ▸ Plugin Meters.

Utilities

The words PLEASE STANDBY in white capitals inside a red rectangular outline
Text BoxFree text: a session name, a room label, a message.
Red seven-segment digits reading 17:08:23, with the unlit segments faintly visible
Studio ClockThe Mac's local time as a broadcast-style clock.

Cutout

A see-through window in your blackout. DarkStage draws nothing inside a Cutout, so the real app window behind the overlay shows through, and your clicks inside it reach that app. Keep your DAW's edit window, a video, a plug-in or a web page in view while everything around it stays dark and full of meters. Nothing is captured or streamed; it's simply a hole.

A blacked-out display with a rounded Cutout showing the Music app, needle VU meters and a spectrum analyser around it
A Cutout linked to the Music app, surrounded by live meters.
  1. In Utilities, open Cutout and click Add Cutout. A Cutout appears on the canvas and the widget switches on.
  2. Set its Width and Height. Move it by dragging it on the canvas, or Control-drag it on the blacked-out display.
  3. Under Target Window, choose the Application and Window you want to see. Status reads FOUND when DarkStage can see it.
  4. Click Position Window. The window moves and resizes to sit exactly under the Cutout.
  5. Black out the display. The window shows through, and you can click and type in it.
Cutout settings: Editing, Size, Target Window, Corners and Window Link
SettingWhat it does
EditingWhich Cutout you're adjusting. You can have up to 8 per display. Only the one selected here can be dragged, so choose it first.
MatchExact, Contains or Starts With, for windows whose title changes, such as a DAW session name. Leave the title empty to match any window of that app.
CornersRounded (set the Radius to match the window's corners) or Square, the right choice for video.
Link: Window Follows CutoutThe default. Move or resize the Cutout and the window follows it.
Link: Cutout Follows WindowMove the app's window and the Cutout tracks it.
Link: ManualNothing moves on its own. Use Position Window when you want.

Listing and moving other apps' windows needs Accessibility permission. Without it the Cutout is still see-through; you just place the window yourself.

Recalling a preset never moves your windows. After recalling one, click Position Window to snap the target back into place.

If the Status says the app clamped the size, that app has a minimum window size. Make the Cutout a little larger, or choose Square corners so the edges line up.

Use cases

  • Mixing: black out the mix screen but cut out the DAW's edit window. Your eyes stay on the timeline, surrounded by meters.
  • Mix to picture: a Square Cutout over the video player, with SMPTE and LUFS beside it.
  • Remote sessions: keep the video call window visible in a Cutout while the rest of the screen shows the transport.

Image

Image widget settings: Picture, Presentation and Size

Show a still picture: a studio logo, a sponsor mark, an artist's artwork or a room plate.

  1. Open Image and click Choose Image…. PNG or JPEG, up to 64 MB. The widget switches on.
  2. Choose Fit (shows the whole picture) or Fill (covers the widget and crops the overflow). Neither stretches the picture.
  3. Set Opacity, Width and Height, then drag it into place.

Put the artist's artwork on the live room TV at 30% opacity behind a big Counter. It personalises the session at no cost.

Notepad

A text note on the overlay — lyrics, a cue list, a session checklist — that you can edit live while the screen stays blacked out.

Notepad settings: the Document row with New, Open, Save and Save As, a text area holding four lines of session notes, and Text Style with Family, Size, Line Spacing and Alignment
The Notepad page. The note itself is edited here or on the blacked-out display; Document keeps it as a file.
  1. In UTILITIES, switch on Notepad. It appears on the canvas.
  2. Click into the note on the blacked-out display and type. Control-drag to move it, or drag it on the canvas.
  3. Under Document, use New, Open…, Save and Save As… to keep notes as files, so a cue sheet comes back next session.

Appearance is under Text Style: Family, Size, Line Spacing and Alignment, with Padding, Corner Radius and Border Opacity for the panel around it. Width and Height size it.

Notepad is a wired-display widget — it is not on WiFi Remotes in this beta.

Use case

  • Lyrics, a cue list or the session checklist on the vocal booth screen, edited live from the control room.

Now Playing

Shows what Apple Music or Spotify is playing: title, artist, and optionally artwork, album, progress and time. The layout adapts to the widget's size. With Transport Controls on, its ⏮ ⏯ ⏭ buttons act on that player without bringing it to the front.

Now Playing settings: Layout set to Standard beside Artwork / Hover, Size with Width, Height and Transport Size, Appearance brightness, and the Show list beginning with Artwork
The Now Playing page: which layout to draw, how big, and which parts to show.

Artwork. Spotify supplies its own covers. For Apple Music, a track in your library uses its own cover; for a streamed track DarkStage looks it up in the public Apple catalog, then the exact copy in your library. When no reliable cover is found, a placeholder is shown rather than a cover that might be wrong.

For more reliable covers on streamed Apple Music tracks, turn on Enhanced Apple Music Artwork in Settings ▸ General ▸ NOW PLAYING. It's off by default, asks macOS for Apple Music access once, and needs no subscription. DarkStage then tries the Apple Music catalog first and falls back to the steps above; if access is denied or there's no network, artwork carries on as normal.

Your player isn't shown? Run the Player Compatibility Report and email it to support.

MIDI Piano

MIDI Piano settings: Keyboard with Lowest C set to C2, 4 octaves spanning C2 to C6 over 49 keys and Note Labels set to C Only; Navigation; and Performance Controls for Pitch Wheel, Mod Wheel, Sustain and Finger Vibrato
The MIDI Piano page. Octaves shows the span and key count as you change it.

A playable on-screen keyboard. It makes no sound itself: each key sends MIDI notes to the destination chosen under MIDI ▸ Destination, usually DarkStage MIDI Bus, which your DAW sees as the MIDI input DarkStage MIDI. Set the Lowest C, number of Octaves and Note Labels, and optionally add Pitch Wheel, Mod Wheel and Sustain under Performance Controls. See Settings ▸ MIDI.

Cameras

The CAMERAS group holds Camera Feeds (show a Location's camera on this display) and Device Camera (a local preview of this Mac's camera). See Cameras.

Controls: Button Panel

A grid of illuminated buttons on the overlay or on a WiFi Remote. Keys can run your DAW’s transport, fire keyboard shortcuts, type text, run a sequence of steps, send MIDI, or control DarkStage itself. Add knobs, spread controls over several pages, and save the whole thing as a layout.

A Button Panel with Play, Stop, Record, Loop and a custom button on a blacked-out display
Transport keys plus one custom button, on a blacked-out display.

Full Button Panel guide — buttons, sequences, pages, knobs, layouts and tutorials →

Hover Panel

Hover Panel settings: a Show Hover button, Enable Hover Panel, Reveal set to Click the Display, Auto-Hide set to 10 seconds, Tap Anywhere to Dismiss ticked, Edge Tab, and Position and Size knobs
The Hover Panel page: how it is summoned, how long it stays, and where it sits.

Hover Panel and Idle Display are different things. The Hover Panel is something you summon — a pop-up of keys, on wired displays and Remotes. Idle Display is something that happens on its own when a Remote is left alone, and it exists on Remotes only. On a Remote they work together: touching the Hover Panel counts as activity, so it restarts the idle countdown.

A pop-up panel of Button Panel keys that belongs to the display itself, not to its layout, so recalling a preset never changes it. Use it for preset and scene recall, page navigation or DarkStage controls you want within reach but not always on screen. Find it under Controls ▸ Hover Panel.